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My Japanese Protest
by Joel Hanson
Shibuya: a trendy shopping area of Tokyo. March 22. I've just stepped
off the subway into a cement square with my six-foot, seven-inch
Canadian friend Laurier and his Japanese girlfriend. We're surrounded
by giant office buildings and shopping malls and massive television
sets that feed our short attention spans with a steady diet of music
videos and fashion models. The streets are packed with straight-faced
shoppers and weary businessmen and women on their way home after
another ten-hour workday. There is a noticeable autumnal chill in the
air. The women walk beneath a garish, Vegas-like kaleidoscope of neon
lights as though they're on their own private, fashion-show runway,
showing off their expensive leather shoulder bags and tightly laced
boots. And in the middle of this consumerist mecca, a drum circle of
war protesters and sign carriers gather to voice their opposition to
Bush's illegal and unilateral three-day-old invasion of Iraq.
Laurier and I grab yellow signs from a group called World Action to
Stop The War and head to a fourth-floor shopping mall restroom to
write our own personal anti-war messages on the back. I choose "Disarm
Bush, Too!" and Laurier opts for something harsh and profane.
Half an hour later, we join a few thousand fellow sign-carriers in a
small park for a pre-march rally. The park's leafless oak trees look
almost black in the twilight air. For almost an hour, surrounded by a
circle of police and camera-toting onlookers, we listen to a series of
half English/half Japanese speeches while we hone our anti-war chants
of "Iraqi senso tomero!" (Stop the war in Iraq!) and "Senso hontai!"
(No war!) and trade stories with activists from all over the world.
The news of 1,400 arrests in San Francisco the day before warms the
crowd like an elixir. A man from Portugal tells me that he's happy to
see Americans protesting the war because the television news makes it
look like everyone in the US unanimously supports Bush.
Inspired by the atmosphere, I walk over to a nearby table of
volunteers and write down my favorite anti-war slogan from an anti-war
protest in LA ten days earlier: "War Is So Last Century!" I attach
this sign to my old one and flip them back and forth during the rally.
People are drawn to Laurier's height and many stop in front of us to
take pictures and read our signs. Then, we take to the streets.
As we descend from the park on a wide staircase, I see a small army of
police in riot gear: clubs, masks, and imposing shields on the street
below. But their services will not be necessary tonight. This is
Japan: a culture obsessed with politeness and decorum. Our anti-war
protest is noisy and eye-catching, but too orderly, too docile. We
move through the streets of Shibuya like a giant human snake, divided
into groups of 500 in order to not disrupt the flow of traffic. But I
want to block traffic, to sit down in intersections, anything to draw
more attention and/or force a confrontation.
The marching is empowering anyway: my first satisfying release of
anger at the American government I didn't vote for. And there are
moments of triumph: frequent honks from passing motorists, smiles and
peace signs from the crowd of onlookers gathered across the street
like it's watching a parade, a few pedestrians pick up signs and join
the march.
After the post-march rally is over, the three of us head to a
basement-level Indian restaurant. The place is packed with protesters
fresh from the march, gathered around tables, discussing politics and
anti-war strategies. The restaurant employees give us the thumbs up
sign as we enter and I feel a sense of solidarity with everyone in the
place. We realize our efforts are not enough stop the war in Iraq, but
the kind of widespread international anti-war support I witnessed that
night makes me realize that, if we persist in our efforts and our
numbers continue to grow, we might be able to stop the bullying,
self-serving Bush administration from starting another one.
Joel Hanson is a former Washington resident now teaching in Japan.
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